Astral phenomena are not my speciality, nor do I have equipment to get those really great images. That doesn’t stop me from wanting to capture them, however. The weather in Chicagoland is almost always cloudy on nights of importance. So it was December 20, 2020 for the Winter Solstice and the “Bethlehem Star” as the conjunction of Saturn and Jupiter was called. However, on December 21, while there were clouds, there was clear sky. It was very cold, but me, my camera and tripod and my husband ventured out to find a viewing spot. We ended up at Settler’s Hill in Geneva. I climbed up to the top of the hill (a landfill) and set up my tripod. What would come first — the conjunction visible or the cloud front moving in. I knew from an app on my iPad about where to look, but there are so many “lights” in the sky that are not stars or planets! Planes to O’Hare populate the skies. So we watched, and waited. I thought there was a bright light in about the right spot, but it would appear and disappear. Clouds! I finally spotted what I think was the conjunction, at first above the cloud bank, and then a bit later, below the cloud bank. The detail is not good. This is more about effort and challenge. A longer lens, you might see the rings of Saturn like some have captured. In my images, it is more about the ambiance, the sunset color and the relative placement of the conjunction to the horizon. By the end, my fingers were frozen (forgot gloves) and my husband had to light the path down the hill. But I did have fun, up high in the cold, watching a sunset and trying to spot the conjunction.
Every Fall we have one or two Puffballs in our yard. This year we have seven! They grow into volleyball sized rounds almost overnight, but it takes several weeks for them to “puff” spreading trillions of spores into the air. Puffballs are fungi, specifically Calvatia gigantea. They are edible and quite tasty — if you know the right time to harvest them. Puffball Steaks, thick, found slices, can be sautéed with herbs and are a meal all by themselves.
I photographed the seven Puffballs yesterday, and surprisingly they were each in different life stages. Starting with the pure white globes and moving through the transition from white to speckled to spots to brown, and finally the dark brown, collapsed puffball which has loosed its spores into the air.
Challenged to look at the work of Josef Sudek’s photography and emulate it, I chose to capture Still Life images like he did on the windowsill of his Atelier, or Studio. I’d rise early to get the moody images, especially on rainy days. The windowsill in my kitchen offered indirect, filtered light in the morning with sky peeking through the leaves of the trees. I chose to use this to create a bokeh effect for the background. I converted to black and white and applied various filters and textures to simulate wet plate collodion plates and used either a sepia tone or cool tone. This was a fun project, very much influenced by what produce was available.
Imagine that our National Park landscapes have doors to realms if the imagination. What might the landscape look like? These composite images made in Photoshop explore the possibilities. I took an Advanced Photoshop class and worked on these composites for my final project. They are the beginning of a new work I’m excited to expand upon.
I followed them a female Monarch Butterfly as she flitted from milkweed plant to milkweed plant, laying eggs on the tender leaves. She stopped several times to get some nectar for energy. Then she flew down the street to lay eggs elsewhere.